sold |
Ed Farr's 5 and 10 cent store
Pennsylvania hanging cupboard
Reproduction early 19th century Pennsylvania hanging cupboard in heavily distressed black paint. Raised panel door, one drawer, solid pine, square nails. H28.75" x W26.5" x D10.25" Sold.
Entertainment & Spiritous Liquors
Primitive Wall Cupboard
A smaller sized wall cupboard made from old attic-surface wood, antique square nails, hand dovetailed case and raised panel door. Aged H-hinges and tin repairs, with layered and distressed putty-grey paint applied by me. Interior cleat (of same attic surface wood) for secure wall mounting. W23.5" x H16.5" x D7.5"
sold |
Figures
Ebenezer |
the Crone |
F.Morse Boot & Shoe Maker
Harness/Shoe repairing
1897 Phaeton
businessweek via Reynold's Still |
New England wallbox
My reproduction of an 18th century New England wallbox.
H14.5" x W10" x D6.25"
Custom made butterfly hinges, early square nails, very aged interior. Sold.
H14.5" x W10" x D6.25"
Custom made butterfly hinges, early square nails, very aged interior. Sold.
Yesterday I woke up sucking a lemon...
18th Century adjustable candlestand
Reproduction 18th century treen candlestand. These were originally made so that by pulling out the 'key' you could adjust the candlelight up or down, depending on your needs. Completely hand carved of pine, my reproduction is overall about 31.25" tall x 10.25" wide x 6.5" deep. Candle height can be adjusted to five heights between 16" and 29.5". Shown at a height of 23.5" Sold.
Woman with Blue Book
The early original of this painting was a miniature, a little more than 3.5" x 4.5". For my reproduction I enlarged it to 10" x 12.75". Including the frame it is about H17.5" x W14.75". Acrylic and watercolour on paper, mounted to pasteboard. Painted pine frame. Aged front and back, with an old wire hanger. Sold.
Pantry boxes
sold out |
Putty wall shelf
Fractur Bookplate
Waterloo Storage Cupboards
Gourd cup
Sold |
Simon Schama's Power of Art
A few examples of Nicole's primitives
One of Nicole's hand-hooked rugs. Sold |
Muslin gourds with vine stems |
Horse pulltoys |
aged doll in chair. sold |
A few examples of Nicole's primitive folk art and textile work. She works with hand dyed, painted and aged fabric, sewn on an antique sewing machine. Wooden bases, chairs, etc. are done by me. Her hooked rugs are hand-hooked on burlap or monkscloth with wool (often reclaimed) that she cuts and dyes by hand. Please email me for additional pictures or information.
Horse pulltoy
sold |
Schwenkfelder candlebox
My reproduction of an early Schwenkfelder candlebox. I made this one the same 11" size as the original, with hand dovetailed joints and sliding lid. The original had a divider running lengthwise, making it 2 compartments. I omitted that to make it more usable, and changed the original initials of "EW" to "EB". The original sold at auction in (I think) 2000 for $88,000. Mine was made as a gift for a friend. (EB)
Dart board
Christmas in March?
Pinecone Santa, based on an illustration from Dec.1867 Harper's Bazaar |
aged paper trees |
I know...Christmas in March? But, I didn't have a blog in December. The stockings are another project that Nicole and I worked on together. I aged the fabric and added the text and graphics to look like the antique grainsacks from Europe, and she made it into stockings. We had several different styles which all sold, but we'll be sure to have more done in time for next Christmas.
Drysinks
Originally, a client brought me a picture of the original antique drysink and asked me to reproduce it. I loved the primitive simplicity of it, the plank door, compact size and wide stiles, and ended up making a few for myself, giving me an opportunity to experiment with different colours and finishes.
sold |
sold |
sold |
Originally, a client brought me a picture of the original antique drysink and asked me to reproduce it. I loved the primitive simplicity of it, the plank door, compact size and wide stiles, and ended up making a few for myself, giving me an opportunity to experiment with different colours and finishes.
Portraits
I can't think of anything that brings a feeling of history into a space like an aged and distressed portrait. I try to have at least one in the booth at every show we do, and they are always one of the first things to go. While I usually neglect to photograph them, here are a few reproductions I've done in the 'flat' style of William Matthew Prior, with my own crackled, grubby twist. Sometimes done on old wide boards, sometimes canvas, and with frames built and aged by me.
sold |
sold |
detail |
detail |
I can't think of anything that brings a feeling of history into a space like an aged and distressed portrait. I try to have at least one in the booth at every show we do, and they are always one of the first things to go. While I usually neglect to photograph them, here are a few reproductions I've done in the 'flat' style of William Matthew Prior, with my own crackled, grubby twist. Sometimes done on old wide boards, sometimes canvas, and with frames built and aged by me.